|




Here you will find some press quotes. Check
out what the media wrote about our film (not complete). More
reviews also on our German
press site.
VARIETY
Dennis Harvey |
|
 |
"Sex/Life in L.A.""Sex/Life In L.A." peers at
male sexuality for sale in a town where such commodities are taken
for granted -- if seldom publicly discussed. English-language docudocu
already has distribdistrib deals in France, the U.K. and helmer
Jochen Hick's native Germany. It will likely also attract marginal
U.S. theatricaltheatrical play, though gay auds looking for titillation
(which a few explicit segs do deliver) may be dismayed to discover
the sum effect is rather bleak and depressing.
Nine principal interviewees run a gamut. The happiest camper seems
to be Cole Tucker, a muscle-bound real estate broker who's been
HIV-positive for many years, and now chooses to celebrate his hale
longevity by "moonlighting" in a gay porn flick. His co-star,
well-known, alarmingly endowed Matt Bradshaw, also evinces a healthy
attitude, as well as a droll sense of humor.
Others seem less stable, their hopes of making the transition from
current activities (skin flicks, exotic dancing, escort-service
tricking, etc.) to legitlegit modeling or thesping more of a pipe
dream. On the low end of the totem pole are African-American David
and Colorado transplant Patrick, a la "Midnight Cowboy,"
both homeless (latter living mostly in his car) and dependent on
street hustling.
Most famous subject here is Tony Ward, the fashion model who won
brief notoriety as Madonna's early '90s lover and "Justify
My Love" video hunk. Having "been ejected from the kingdom"
once that relationship ended -- apparently due to his then-excessive
drug use -- Ward has had a difficult time re-establishing a career
on page or screen.
Photographer Rick Castro photographs male hustlers picked up on
Santa Monica Boulevard. He provides an observer's p.o.v., as does
the odd man out here, L.A.-born performance artist Ron Athey (who
laments he's more appreciated in Europe than in his avant-culture-depleted
hometown).
Latter offers the pithiest critical comments on the City of Angels'
sex-as-commodity superficiality ("Everyone's so self-aware
of how desirable they are ... People are insipid here"). But
severed from their full context, excerpts from his eerie, mostly
nude, body-piercing ensemble stage events come off as arty window
dressing.
The amiable Tucker and Bradshaw get most of the screen time here;
hard-luck cases Patrick and (especially) David get far less, which
is too bad since their plights are the most dramatic. The full monty
is frequently bared, albeit usually during scenes that emphasize
the preparatory bizbiz-as-usual fussing required by porn shoots.
One more-gratuitous (if promotable) bit has Ward masturbating in
a bathtub for camera scrutiny.
Without undue moralizing, docu suggests industry-magnet L.A. as
a place where most contenders' dreams slowly die, and sex-based
jobs become a soul-voiding end unto themselves. Several subjects
admit drug or (in one case) sexual addiction. While "Sex/Life"
refreshingly breaks from convention by portraying only adults --
not the exploited jailbait prosties of such films as "johns""Johns"
-- it nonetheless paints a downbeat picture.
Lensing is decent, and the intercutting between various threads
is smooth and unobtrusive.
http://www.variety.com
La Republica,
Rom
Maria Pia Fusco |
|
 |
"The images are merciless and provocative... and the film is to be considered even more precious and scandalous, considering that this is not fiction but reality, taped on video and transferred onto film."
The Pink Paper,
London
unbek. Autor |
|
 |
"It's more incisive, surprising and unsparing ... it's stronger stuff than 'Boogie Nights'"
Time Out, London
Paul Burston |
|
 |
"Jochen Hick's entertaining look at the gay sex industry...."
National Post,
Toronto
Mitchel Raphael |
|
 |
"Among the most eagerly awaited films for festival-goers this
years is "Sex/Life in L.A.", which looks at the world of
porn stars, hustlers, and nude models. The film concludes with a bathtub
scene featuring model Tony Ward, a former Madonna boy toy and the
star fo Bruce LaBruce's "Hustler White". It's a hot ticket:
At this point, scalpers are your only hope for admission. While not
all films here can claim similar popularity..."
La Liberation,
Paris
Didier Peron |
|
 |
"The film explores the very ends of its own logic between distance
and voyeurism in the scene, where Tony Ward masturbates in the bath
tub. An unpassionate und uncomfortable moment, where exhibition and
the hate of exposing oneself doesn't lead any further."
Süddeutsche
Zeitung
Hans Schifferle |
|
 |
"Santa Monica Boulevard seems like a promenade of shattered dreams in Jochen Hicks beautiful, silent and sometimes haunting film."
Siegessäule
Extra
Axel Schock |
|
 |
"Extremely well photographed and edited. ... Hicks view doesn't bore, it's entertaining and even exciting and suspenseful, thanks to his merciless approach on his portrayals of interviewees."
epd-FILM
Dietrich Kuhlbrodt |
|
 |
"SEX/LIFE IN L.A. is a beautiful, intelligent and exciting film!"
TIP-Spezial, Berlins Big Entertainment
Guide
Katja Nicodemus
|
|
 |
"Maybe also Karl Marx would have liked (the) film: Jochen Hicks 'SEX/LIFE IN L.A." since this presentation of sex as a merchandise makes the best dialectic attempt fail. What is the value of a trade and what the instrinsic value when the hot pornostar like to have sex, sex, and sex: 'If I would have a lot of money, I would have sex all the time!'"
Los Angeles Times
Kevin Thomas |
|
 |
"Outfest '98 is especially strong on documentaries. Jochen Hick's SEX/LIFE IN L.A. documents incisively the lives of several goodlooking men who came to Hollywood to seek their fortune and for the most part to become porn stars, prostitutes or both. Some of these men, at least for now, seem resilient and detached enough to survive and even prosper; others have been waylaid by drugs and despair. Featured are supermodel Tony Ward, who had his 15 minutes of fame partnered with Madonna in her banned-on-MTV music video "Justify My Love", starred in Bruce La Bruces 'Hustler White' and is struggling to make it as an actor and performance artist Ron Athey."
First 2/1998
Chuck Wilson, 25. 5. 2001 |
|
 |
"Also visually a titbid!"
Campaign magazin, Sydney
|
|
 |
"A very close up and personal look at tinsel town casualties, featuring interviews with and footage of Tony Ward (in that famous bath tub scene), Ron Athey, Rick Castro, Matt Bradshaw, John Garwood, Kevin Kramer and Cole Tucker. This documentary reveals the effects of the exploitation of male sexuality in a town where an abundance of buff flesh is exhibited, exploited, consumed and discarded indiscriminately.".
Moving Pictures,
London/Berlin/Cannes
Owen Levy |
|
 |
"Welcome to L.A.! ... SEX/LIFE IN L.A. delivers exactly what it promises: a triple x-rated look at life and sex on the edge as lived by the guys who make the movies."
(Critics Pick)
METRO WEEKLY, Washington D.C.
Craig Seymour
|
|
 |
"... this documentary - a sort of TO LIVE AND SCREW IN L.A. - is a well-edited montage of interviews with ponr stars like Matt Bradshaw and Kevin Kramer; model and Madonna's ex Tony Ward; soem Santa Monica Blvd. street hustlers; and performance artist Ron Athey, whose meat hook through the genitals routine plays like an XXX-rated version of Fox's' Guinness World Records'. The personalities fuel the film, like the former porn star recovering from drug and sex addiction, and the hustler who is from a place so far removed from L.A., that he doesn't know how to use gas pumps with the black fume filters. The film also works when it captures moments of intimacy, like Kramer waiting for a response to his phone personal ad, and an vulnerable Ward jerking off int the bathtub..."
Seattle gay news
Derich Mantenola
|
|
 |
"Gay icon Tony Ward, Madonna's sometime boyfriend, comes across rather well. He looks boyishly good (he credits the Material Girl for getting him off drugs) and, while maintaining that he's only a tiny bit Gay, treats us to a bathtub jackoff. ..."
Washington city paper
Joel E. Siegel
|
|
 |
"...Hick's most articulate subjects are Cole Tucker, a butch colorfully tattooed, HIV-positive porno performer who exposes some surprising tarde secrets, and Madonna survivor Tony Ward, who offers some sensible observations about fame before jacking off to climax in a bathtub. SEX/LIFE IN L.A. doesn't cheat on the naughty bits...."
Der Tagesspiegel,
Berlin
Frank Noack |
|
 |
"Working Boys - A constant up and down: 'Sex/Life in L.A.'"
Die Tageszeitung
Jan Distelmeyer |
|
 |
"...everybody tell their strategies of survival in a world which is only based on the worth of the body."
Süddeutsche
Zeitung
Hans Schifferle |
|
 |
"Shadows go down on Santa Monica Boulevard like in a 'film noir'."
Hessischer Rundfunk
/ TV - Kinostarts
Lucie Herrmann |
|
 |
"Der Regisseur, einer der wenigen glaubwürdigen Chronisten
schwuler Lebenswelten ... (zeigt) eindringlich und voller Anteilnahme
(...), wie das fetischistische Verhältnis zum eigenen Körper
und die unverhohlene Begeisterung über das eigene Abbild in Hochglanzmagazine
und Pornofilmen die Männer in einer Welt aus Ausbeutung und Demütigung
gefangenhält."
First, Köln
Armin Wittorf |
|
 |
"Fucked, celebrated, fired; in his new documentary 'Sex/Life in L.A.'
Jochen Hick portrays nine sex-professionals in the mekka of Gay porn.
An exciting kind of striptease of souls."
GAB, Rhein-Main
Oliver Rau |
|
 |
"...In contrary to Bruce la Bruce ... Hick delivers a 'real' documentary. Also Hicks film bewilders, but not only from scenes which are arranged, but from the inner emptininess and desert of the American capitalistic society, which reaches here with all power into persons sexuality..."
Stadtrevue, Köln
Veronica Kane |
|
 |
"Intelligent and erotic, but never pushy or voyeuristic, Hick has created suspenseful portrays of Gay sex-gods..."
L.A. Times
Kevin Thomas |
|
 |
"Einer der stärksten Beiträge von Outfest´98!"
Oxmox, Hamburg
Sven Linke |
|
 |
**** (4 Stars)!"
"... But nobody will have seen them like in the film of the Hamburg director Jochen Hick. (...) A totally different view on glittering Hollywood! Merciless and provocative!"
epd-Film, Frankfurt
Dietrich Kuhlbrodt |
|
 |
" (...) Ganz anders filmt Jochen Hick, Dokumentarist und Menschenfreund.
Er analysiert auch in seinem neuesten Film keine objektiven Befunde;
er befasst sich auch nicht mit einem vorgefundenen Thema. Aber er
besitzt die seltene Gabe zuhören zu können. Die neun jungen
Männer, die er in SEX/LIFE IN L.A. zu Wort kommen lässt,
behalten ihre SubjektivitŠt. Hick tastet ihre Integrität nicht
an. Mit seiner Kamera begleitet er die, die mit ihrem Körper
arbeiten, während der Arbeit, Im privaten, zu Haus. (...) Die
Stadt Los Angeles formt sich in Hicks Film zu einem eigenen Körper:
zu einem gefrässigen, vampyrischen Stadt-Subjekt. ..."
Cinema
Ramona Thomasius |
|
 |
"...all are very attractive (...) ...But they feel, that beauty alone won't be enough for a ticket into the film business - making their dream become a nightmare..."
Szene Hamburg
Anna Hoffmann |
|
 |
"The Hamburger Jochen Hick explores the 'Boogie Nights' of the present."
Frankfurter Algemeine
Zeitung, Germanys Big Daily Newspaper, Frankfurt
|
|
 |
"Jochen Hick (...) lets the audience be astounded and makes them understand. Aids in this documentary is not dutifully discussed, it is shown as that part of the life, which the illness means to the Gay culture."
Seattle Times
John Hartl
|
|
 |
Jochen Hick's sexually explicit and skin-deep German documentary about the American gay-porn industry, featuring Tony War, Madonna's sidekick in her 'Justify My Love' video. (...)"
Die Tageszeitung
Christian Bufl
|
|
 |
"'Dreams and desires'...nobody ends up as an object of aesthetic studies in this film."
Stadtmagazin
HH19
Tim Gallwitz |
|
 |
"Jochen Hick succeded to create an extraordinary film,which differs from Boogie Nights with ist 70ies touch and melo-flair - shows L.A.'s industry of Gay images without any make-up."
Germanys Catholic Film Service
Hans Messias |
|
 |
" (...) It honors Hicks film, that he doesn't comprehend the scene
as something exotic, but that he shows its normality and leaves it
up to the audience to evaluate those different ways of life..."; Germanys
Catholic Film Service
The Stranger,
Seattle
Steven Humphrey |
|
 |
"They might have lost WWII, but this hasn't kept the resourceful Germans from exposing the bare butt of America's entertainment industry - PORN!"
Windy City Times, Chicago
Bryan Upton |
|
 |
"German Jochen Hick traveled to Tinseltown to study men whose careers revolve around their bodies. (...) this is a well-edited and relatively unbiased glimpse at the world of sex work. It peels away any shred of glamour to reveal a grim, matter-of-fact atmosphere. In one scene, a fantastically humorless Kevin Kramer packs a briefcase full of lube and condoms in preparation for an 'escort' job - heading off to work just like any other office drone. More likable is porn star Matt Bradshaw, whose down-to-earth niceness sets him apart from self-obsessed L.A. robots. Interesting...."
indieWIRE.com
Cal Godot
|
|
 |
"In addition, SIFF (Seattle Int. Film Fest) planners have scheduled an impressive array of documentary films. (...) Also featured in this series is the U.S. premiere of 'SEX/LIFE IN L.A.', a study of the male pron industry in Los Angeles."
|